“It is not a contradiction to be nice or shy or whatever you think of yourself as, and still have to be like, every once in a while, Relax, bro, I’m just trying something different.”
“Again, it’s about the whole people-deciding-your-image-for-you thing. Don’t let them. Make them feel stupid for trying. This might feel cruel at first, but have no shame or guilt.”
“I think most people are afraid of dressing a little stranger or cuter because they’re afraid people will think they think they’re so great. Like people will be like, “OH, SO YOU’RE ALL ARTSY NOW?” Nobody will say this if you act like it’s no big deal, as opposed to constantly checking yourself in trophy-case reflections or whatever. If anyone does say it, you look at them, give one of the more subtle “you are an idiot” bitchfaces, and say, “…No?” And they will feel like a dumbass.”
“I still feel I’m just as far away from what I want to do… but, you know? That’s just the way it is, right?”
“In the same way as religion… I am very spiritual, but I don’t belong to any… ‘party’. The same with feminism. I get really scared and worried and run the other way the minute it becomes a dogma, or a doctrine. My mum’s generation, the hippies, were quite radical when it came to those things and I felt that for my generation the best thing we could do for women was just to go and get things done instead of pointing your finger forever. I think it’s better for me to focus my energy on just getting things done.”
“One of the things you realise pretty quickly around Björk is that for all her colourful flamboyance, her eccentricity and her sometimes child-like awe and wonder, she is not naïve. She is fiercely intelligent and hard-working and despite spending the better part of her life trapped inside the distorted mirror ball of her own celebrity, her engagement with the world around her is honest and clear-sighted.”
“I guess I learned after being in bands for fifteen years before I did my solo stuff, and we were punks and we were like: ‘Oh, it doesn’t matter how things look it’s all about how they sound’ and then somebody would just take a picture of us and put us in the papers and you would be upset – not that it was ugly, nothing to do with vanity – just that it didn’t fit the music. So I guess I had fifteen years of kinda…” she shrugs indifferently, “and then once every few years I would meet somebody who totally got it. So I learned, almost like I was a pupil. So for fifteen years I learned that if you match the right image to the right sound it makes my life a lot easier!”
“Looking back at her career, Björk acknowledges that the clearest pattern is her stubborn refusal to repeat herself. She offers by way of explanation the fact that she adores a challenge, which often manifests itself in her choosing to take on genres she ordinarily dislikes. She wasn’t sure about a cappella music, she says, so she made Medúlla. She wasn’t excited by protest music, so she made Volta . “I guess with each project I have some sort of personal taboo I have to break,” she continues. “I don’t know why. It’s some sort of a kick I get out of it. I mean, obviously I’m also embracing a lot of things that I like, like nature, electronic music, vocals, choirs…””

gaystray:

do you ever just smell an old perfume, or hear an old song, or pass an old hangout spot and kinda break inside for a couple minutes

(via alecrimehortela)

likeafieldmouse:

Hiroshige - New Year’s Eve Foxfires at the Changing Tree, Ōji (1857) 
likeafieldmouse:

Hiroshige - New Year’s Eve Foxfires at the Changing Tree, Ōji (1857) 

likeafieldmouse:

HiroshigeNew Year’s Eve Foxfires at the Changing Tree, Ōji (1857)